About the artist
Real ink.
Real story.
Tattooing since 2008. Based in Aiea, Hawaii. Honoring those who've honored us.
The Beginning
Between 2005 and 2008 I served time. It was a dark stretch — I'd lost my way to addiction, and I'm not proud of how I got there. But it's where I learned to tattoo, where I got sober, and where I decided who I was going to become.
It started with drawing envelopes for the other convicts I was doing time along with. Then presented an opportunity to tattoo a fellow inmate who had a fresh scar on his forearm. I used a pen tube, a lighter string, and soot ink made from grease and shampoo from the commissary to do a simple design. It healed up well, word got around, and that became a skill that grew quietly while I served my time. My first real tattoo was a black work skull wrapped in tribal sun — it took a month to heal but came out clean, and I never stopped after that. I spent the rest of my sentence reading about Sullen in Tattoo magazines, studying every artist I could find, and finishing my online schooling between shifts on the yard.
When I got out, I hustled up enough money for professional equipment, built a portfolio, and walked into a Phoenix shop owned by Pete Mandley — a former Detroit Lions wide receiver. He looked at my work and put me to work the same week. By 2009 I had my Arizona tattooing license out of Youngtown, and I've been at the chair ever since.
Today
Everything I've built since comes from the choice I made in those years to do better. I'm sober. I'm a husband of over ten years. I'm a father to two sons — my oldest turns 27 this September, my youngest turns 10 the same month. I tattoo full time out of Aiea, Hawaii at TNT Tattoo, and I take this craft seriously because it's the discipline that gave me a life worth showing up for.
The Work
I'm well-rounded by necessity — years of walk-ins will do that to you — but realism, black & gray, and photorealism are where I live. I also love geometric work, fine line, dot work, Polynesian tribal, mandala, and traditional. If you've got a custom concept, a memorial, or a cover-up that needs real thought, those are my favorite calls.
My philosophy on black & gray is simple: it's timeless. It settles into skin beautifully, ages with grace. The biggest enemy of any tattoo isn't time — it's the sun. Aftercare and sun protection are non-negotiable. Cover up, moisturize, and your work will look sharp for decades.
Who I Work With
Serving Oahu's military community is an honor and a priority. Standard rate is $2,500 for a full day (8 hours). Active-duty service members and veterans receive 20% off — no paperwork just a digital check-in and your ID to the chair.
What I won't do is gang-affiliated work. That's a hard line for me, and it always will be.
Full Circle
Being a sponsored Sullen artist and partnered with Wicked Fast Skincare isn't something I take lightly. Sullen was the brand I studied from a prison bunk in 2007. Being on their roster now isn't a flex — it's proof that the work matters, the journey matters, and people who put their head down and keep moving forward eventually get where they're going.


Meet the artist
At the chair





The Mark
More than merch
Alongside the chair, I've started building something I've wanted for years: a small apparel line under my own monogram, the "IM" mark. It's not merch for the sake of merch. It's meant to carry the same discipline and intention I bring to tattooing, into what you wear. The line makes its debut at the Pacific Ink & Art Expo this July at the Blaisdell. More to come.